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Trumantia Resource Directory 01
Page 10
There, grouped around his table, sat the Dominie, Doctor Critchel, Bright the inn-keeper, and the schoolmaster, for Hanz had invited them to sup with him, and Angeline had prepared the best she had to set before them. There, too, was Tite's empty chair. There it stood, silent and touching, all the pleasant memories it once contained made sad now by the mystery that enshrouded his long absence. There was his plate, and his knife and fork, all so bright and clean, set as regularly as if he were home, and guarded so tenderly. The eloquence of that vacant chair, appealing so directly to the finer sensibilities of every one present, left a deep and sad impression. Supper was nearly over before any of the guests had courage to refer to it. The Dominie at length raised his spectacles and addressing Angeline, said: "Heaven gives to every house its idol. We have been blessed to-day, and made happy. It will yet please Heaven to bring back the idol of this house, and fill that empty chair. I am sure we shall all be glad when the boy gets home."
Once more I must caution the reader against expecting to find highly-finished gems of art in the chapels I have been describing. A wooden figure not more than two feet high clogged with many coats of paint can hardly claim to be taken very seriously, and even those few that were cut by Tabachetti himself were not meant to have attention concentrated on themselves alone. As mere wood-carving the Saas-Fee chapels will not stand comparison, for example, with the triptych of unknown authorship in the Church of St. Anne at Gliss, close to Brieg. But, in the first place, the work at Gliss is worthy of Holbein himself: I know no wood-carving that can so rivet the attention; moreover it is coloured with water-colour and not oil, so that it is tinted, not painted; and, in the second place, the Gliss triptych belongs to a date (1519) when artists held neither time nor impressionism as objects, and hence, though greatly better than the Saas-Fee chapels as regards a certain Japanese curiousness of finish and naivete of literal transcription, it cannot even enter the lists with the Saas work as regards elan and dramatic effectiveness. The difference between the two classes of work is much that between, say, John Van Eyck or Memling and Rubens or Rembrandt, or, again, between Giovanni Bellini and Tintoretto; the aims of the one class of work are incompatible with those of the other. Moreover, in the Gliss triptych the intention of the designer is carried out (whether by himself or no) with admirable skill; whereas at Saas the wisdom of the workman is rather of OberAmmergau than of the Egyptians, and the voice of the poet is not a little drowned in that of his mouthpiece. If, however, the reader will bear in mind these somewhat obvious considerations, and will also remember the pathetic circumstances under which the chapels were designed--for Tabachetti when he reached Saas was no doubt shattered in body and mind by his four years' imprisonment--he will probably be not less attracted to them than I observed were many of the visitors both at Saas-Grund and Saas-Fee with whom I had the pleasure of examining them.
The Latins had, as already stated, renewed their league with Rome in B.C. 356, and consequently their troops had fought along with the Romans in the war against the Samnites. But the increasing power of Rome excited their alarm; and it became evident to them that, though nominally on a footing of equality, they were, in reality, becoming subject to Rome. This feeling was confirmed by the treaty of alliance which the Romans had formed with the Samnites. The Latins, therefore, determined to bring matters to a crisis, and sent two Praetors, who were their chief magistrates, to propose to the Romans that the two nations should henceforth form one state; that half of the state should consist of Latins, and that one of the two Consuls should be chosen from Latium. These requests excited the greatest indignation at Rome, and were rejected with the utmost scorn. The Senate met in the Temple of Jupiter, in the Capitol, to receive the Latin deputation, and, after hearing their proposals, the Consul, T. Manlius Torquatus, the same who had slain the Gaul in single combat, declared that, if the Republic should cowardly yield to these demands, he would come into the senate-house sword in hand and cut down the first Latin he saw there. The tale goes on to say that in the discussion which followed, when both parties were excited by anger, the Latin Praetor defied the Roman Jupiter; that thereupon an awful peal of thunder shook the building; and that, as the impious man hurried down the steps from the temple, he fell from top to bottom, and lay there a corpse.
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