Trumantia Resource Directory 10
Page 08

As soon as the building operations are fully completed, the eager little householder sallies forth into his pond or brook in search of a mate who will come and stock his neatly-built home for him. At this stage of the proceedings, his wedding-garment becomes even more brilliant and glancing than ever; he gleams in silver and changeful gems; when he finds his lady-love, he dances round her, "mad with excitement," as Darwin well phrased it, looking his handsomest and best with his lustrous colours glistening like an opal. If she will listen to his suit, he grows wild with delight, and coaxes her into the nest with most affectionate endearments. In No. 2, as you perceive, the mate of his choice has been induced to enter, and is laying her eggs in the dainty home his care has provided for her. The father fish, meanwhile dances and capers around, in a _pas de triomphe_ at the success of his endeavors.

It was the landing of a few boat-loads of these determined and ferocious barbarians on a small island near the mouth of the Thames, which constitutes the great event of the arrival of the Anglo-Saxons in England, which is so celebrated in English history as the epoch which marks the real and true beginning of British greatness and power. It is true that the history of England goes back beyond this period to narrate, as we have done, the events connected with the contests of the Romans and the aboriginal Britons, and the incursions and maraudings of the Picts and Scots; but all these aborigines passed gradually--after the arrival of the Anglo-Saxons--off the stage. The old stock was wholly displaced. The present monarchy has sprung entirely from its Anglo-Saxon original; so that all which precedes the arrival of this new race is introductory and preliminary, like the history, in this country, of the native American tribes before the coming of the English Pilgrims. As, therefore, the landing of the Pilgrims on the Plymouth Rock marks the true commencement of the history of the American Republic, so that of the Anglo-Saxon adventurers on the island of Thanet represents and marks the origin of the British monarchy. The event therefore, stands as a great and conspicuous landmark, though now dim and distant in the remote antiquity in which it occurred.

The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.

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