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Trumantia Resource Directory 15
Page 03
At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.
One Charles Durand, of whose travels and adventures a book has been written, owned a cockatoo, which he carried about with him on his journeys; the bird's name was Billy, and he seems to have been as wise as he was loving. Charles was asleep in his tent, when he was roused by a sharp, shrill cry of the bird, of "Time to rise! time to rise!" accompanied by a violent flapping of the wings. So awakened, Charles looked around, wondering what had disturbed his feathered friend. The cause was soon plain--a deadly snake lay coiled up close to his bed, prepared to spring on the defenseless man. Just when he thought that all hope was at an end, the brave cockatoo sprang from his perch, seized the reptile by the neck, and held him tight till his master could summon help.
And on January 5, 1066, King Edward, the son of Ethelred, died. On the morning of the day following his death, the body of the Confessor was laid in the tomb, in his new church; and on the same day--HAROLD WAS CROWNED KING in his stead. Thus three very important events--the consecration of Westminster Abbey, the death of Edward the Confessor, and the crowning of Harold--all occurred during the same Christmas festival.
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