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Trumantia Resource Directory 16
Page 01
The king agreed to this, and in the evening Dr. Tong was introduced. He had a budget of papers which he began to open and read, but Charles had not patience to hear them; his mind was full of a plan which he was contemplating of going to Windsor the next day, to look at some new decorations which he had ordered for several of the apartments of the palace. He did not believe in the existence of any plot. It is true that plots and conspiracies were very common in those days, but false rumors and unfounded tales of plots were more common still. There was so much excitement in the minds of the community on the subject of the Catholic and Protestant faith, and such vastly extended interests depended on whether the sovereign belonged to one side or the other on this question, that every thing relating to the subject was invested with a mysterious awe, and the most wonderful stories were readily circulated and believed. The public mind was always particularly sensitive and excitable in such a case as that of Charles and his brother James at the time of which we are writing, where the reigning monarch, Charles, was of one religious faith, and his brother James, the next heir, was of the other. The death of Charles, which might at any time take place, would naturally lead to a religious revolution, and this kept the whole community in an exceedingly excitable and feverish state. There was a great temptation to form plots on the one hand, and a great eagerness to discover them on the other; and any man who could tell a story of treasonable schemes, whether his tale was true or fabricated, became immediately a personage of great importance.
Of course, Sylla thought that his great rival and enemy was now finally disposed of, and he accordingly began to make preparations for his Asiatic campaign. He raised his army, built and equipped a fleet, and went away. As soon as he was gone, Marius's friends in the city began to come forth, and to take measures for reinstating themselves in power. Marius returned, too, from Africa, and soon gathered about him a large army. Being the friend, as he pretended, of the lower classes of society, he collected vast multitudes of revolted slaves, outlaws, and other desperadoes, and advanced toward Rome. He assumed, himself, the dress, and air, and savage demeanor of his followers. His countenance had been rendered haggard and cadaverous partly by the influence of exposures, hardships, and suffering upon his advanced age, and partly by the stern and moody plans and determinations of revenge which his mind was perpetually revolving. He listened to the deputations which the Roman Senate sent out to him from time to time, as he advanced toward the city, but refused to make any terms. He moved forward with all the outward deliberation and calmness suitable to his years, while all the ferocity of a tiger was burning within.
From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group.
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