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The promised restoration of light and commencement of a new era were therefore hailed with rejoicings and thanksgivings. The Saxon and other northern nations kept a festival at this time of the year in honour of Thor, in which they mingled feasting, drinking, and dancing with sacrifices and religious rites. It was called Yule, or Jule, a term of which the derivation has caused dispute amongst antiquaries; some considering it to mean a festival, and others stating that Iol, or Iul (spelt in various ways), is a primitive word, conveying the idea of Revolution or Wheel, and applicable therefore to the return of the sun. The _Bacchanalia_ and _Saturnalia_ of the Romans had apparently the same object as the Yuletide, or feast of the Northern nations, and were probably adopted from some more ancient nations, as the Greeks, Mexicans, Persians, Chinese, &c., had all something similar.

The following year (B.C. 207) decided the issue of the war in Italy. The war in Spain during the last few years had been carried on with brilliant success by the young P. Scipio, of whose exploits we shall speak presently. But in B.C. 208, Hasdrubal, leaving the two other Carthaginian generals to make head against Scipio, resolved to set out for Italy to the assistance of his brother. As Scipio was in undisputed possession of the province north of the Iberus, and had secured the passes of the Pyrenees on that side, Hasdrubal crossed these mountains near their western extremity, and plunged into the heart of Gaul. After spending a winter in that country, he prepared to cross the Alps in the spring of B.C. 207, and to descend into Italy. The two Consuls for this year were C. Claudius Nero and M. Livius. Nero marched into Southern Italy to keep a watch upon Hannibal; Livius took up his quarters at Ariminum to oppose Hasdrubal.

We have thus far been considering those arts which pertain more directly to living. We have presented some sketches found engraved on pieces of bone. We first noticed this among the relics found in one of the Creswell caves in England. It was also noticed in Belgium. It was among the Cave-men of Southern France that this artistic trait became highly developed. Among the reindeer hunters of the Dordogne were artists of no mean ability. We must pause a minute and mark the bearing of this taste for art. We have seen many reasons for supposing the men of the caves much farther advanced in the scale of culture than those of the Drift, but we have also seen that we can not rank them higher than the highest grade of savages.


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