Trumantia Resource Directory 19
Page 02

It is a point of cunning, to let fall those words in a man's own name, which he would have another man learn, and use, and thereupon take advantage. I knew two, that were competitors for the secretary's place in Queen Elizabeth's time, and yet kept good quarter between themselves; and would confer, one with another, upon the business; and the one of them said, That to be a secretary, in the declination of a monarchy, was a ticklish thing, and that he did not affect it: the other straight caught up those words, and discoursed with divers of his friends, that he had no reason to desire to be secretary, in the declination of a monarchy. The first man took hold of it, and found means it was told the Queen; who, hearing of a declination of a monarchy, took it so ill, as she would never after hear of the other's suit.

Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.

Another circumstance will illustrate the manners of the times. L. Flamininus, the brother of the conqueror of Philip, and Consul in B.C. 192, took with him into Cisalpine Gaul a beautiful Carthaginian boy, to whom he was attached. The youth complained of leaving Rome just before the exhibition of the games of the gladiators. Shortly after reaching the province, when Flamininus was feasting with his favorite, a Boian chief came into the Consul's tent to implore his protection. Flamininus seized this opportunity to please the boy, and, telling him that he should be rewarded for not seeing the gladiators, he ordered an attendant to stab the Gaul, that his favorite might enjoy the dying agonies of the man.

This page is Copyright © Trumantia Resource and all rights are reserved. Please don't copy without proper authorization. References to other Web sites are not endorsements. Trumantia Resource offers no promises or guarantees concerning the quality or content of other sites that Trumantia links to. Trumantia links are provided as a courtesy to our visitors but do not constitute endorsements or recommendations.